Some readers see Dido’s character as pure propaganda: a “barbarian” (read: non-Roman) foreigner and a “hysterical” woman who cannot rule effectively. In your view, does her character transcend these stereotypes and become three-dimensional?
Some readers see Dido’s character as pure propaganda: a “barbarian” (read: non-Roman) foreigner and a “hysterical” woman who cannot rule effectively. In your view, does her character transcend these stereotypes and become three-dimensional?
