The Soviet film, Man with a Movie Camera (1929), directed by Dziga Vertov, is an experimental depiction of a dynamic city that served as a commentary on the Soviet ideal of future humanity: always on the move, a perpetual revolution. Three decades later, in his 1954 essay, “Questing Concerning Technology,” Martin Heidegger presented a critical conception of modern technology. Explain how Heidegger would critically interpret Vertov’s film based on his 1954 essay.
