How could Friedrich Kittler’s theory of film as “mechanized death” (see pp. 124-126) be read, if at all, complementary with Martin Heidegger’s “Questing Concerning Technology”? Please explain by referencing both texts.
How could Friedrich Kittler’s theory of film as “mechanized death” (see pp. 124-126) be read, if at all, complementary with Martin Heidegger’s “Questing Concerning Technology”? Please explain by referencing both texts.
